Family Orchard

These days the term "multi-generational novel" conjures up something flabby and cliché ridden, which makes it all the more refreshing that Nomi Eve brings so much verve, warmth and imagination to the genre in her debut novel. Eve shows off a range of talents here--she adroitly weaves 150 years of Jewish and Israeli history into the lives of her characters; she is alive to the intersections of legend, magic and everyday reality; she has an intimate knowledge of the business of grafting and growing fruit trees. But her gift for conjuring up the pleasures of the senses is the finest of all. It's difficult to think of a writer since Colette who has so revelled in the language of smells, tastes, textures, and exquisite sexuality.

The novel opens in 1837 when Esther Herschell, the beautiful granddaughter of the chief rabbi of the British Empire, marries the learned eastern European Rabbi Yochanan Schine, and the young couple takes up residence in a "half-grand, half-decrepit" house in Jerusalem. Within paragraphs Esther embarks on a delirious love affair with a handsome young baker and Yochanan finds out about it, which mysteriously only heightens the married couple's pleasure in each other. So commences a narrative driven by sexual undercurrents, unexpected emotional reactions and the spell of Jerusalem with its "twists, turns, bakers and twin arcane whispers of piety and perversity."

Eve moves the family stories along briskly, and in the twinkling of an eye World War I has broken out, and Avra Schine, Esther and Yochanan's light-fingered granddaughter, is stealing bullets from the Turkish Army to supply daring Jewish spies. Avra bears handsome, blue-eyed identical twin sons, Moshe and Zohar, who come of age during the years of struggle and tragedy that preceded Israeli independence. As the generations revolve, Eve filters the terrible saga of mid-20th century Jewish history through the lives of the Schine/Sepher family--their marriages and deaths, dreams and desires, and the orchard that anchors each generation to the town of Petach Tikvah.

Nomi Eve has drunk deep from the wells of South American magic realists like Gabriel García Márquez and Isabel Allende and Yiddish fabulists and folk writers like Shalom Aleichem and IB Singer. But never do her teachers and masters overpower her own voice, a voice at once clear and resonant, earthy and ethereal. The Family Orchard is not a perfect work of art--but then perfection is not really the point here. It is, however, a deeply moving and highly accomplished novel, and an astonishingly impressive debut. --David Laskin, Amazon.com

"Absolutely wonderful in just about every single way... Immediately seductive."
--Newsday

"Enchanting, highly readable... The Family Orchard captures two centuries of Israel's modern history through the dreams, the sacrifices, the bravery of one remarkable Jewish family. It's a marvelous debut."
--San Francisco Chronicle

"Ambitious... A meaty, old-fashioned multi-generational family saga."
--The Washington Post Book World

"[The Family Orchard is] told in the bold colors of an Isaac Bashevis Singer fable... [Eve] is a storyteller of uncommon energy and poise."
--The New York Times

"Wonderfully accomplished... in a league with other multigenerational epics like One Hundred Years of Solitude."
--Talk

"Ripe with vivid images... An earthy, unorthodox view of family history, one imbued with love and warmth and humor."
--Detroit Free Press

"Blends traditional Jewish storytelling with the ingredients of postmodernism: magical realism, multiple authorial voices, a playful conflation of fiction ad nonfiction, even woodcut illustrations and eclectic design."
--The Boston Globe